Fuasi Abdul-Khaliq

In the beginning was the word...and the word was OM!

Pan Afrikan People's Arkestra and More

BandFotos2
Original compositions from Fuasi Abdul-Khaliq inspired by the great Horace Tapscott and the Pan Afrikan Peoples Arkestra. 
The Live Recording Sessions (May 19 and 20, 2023)
Fuasi presents members of the...
"Pan Afrikan Peoples Arkestra and Friends"
About the project
Horace Tapscott and his approach are the condensation nucleus for this project. Tapscott brought the Pan-Afrikan Peoples Arkestra to life in 1961 in Los Angeles. Sixty two years later and right here in Berlin, we are building a contemporary project with a spiritual energy for the 21st century and the challenges we face today. Headed by Arkestra member Fuasi Abdul-Khaliq, the octet brings together the largest number of Tapscott´s disciples living abroad, in addition to the heir to Horace himself, the current conductor and manager of the Pan-Afrikan Peoples Arkestra, Mekala Session, direct from Los Angeles!

Just reading about the octet you will see that we are in for a rare treat. Next to Fuasi and Mekala there's
Sabir Mateen, the most recorded tenor sax with Horace for Nimbus Records and a landmark in the land of the free (jazz).
Ghasem Batamuntu, who carried the tradition of the Arkestra to Europe with the renowned Rotterdam based Nu Nova Compound.
Havana , Cuba native alto sax prodigy,
Regis Molina.
Joel Holmes, the four-time grammy nominated pianist and composer. The innovative bassist Charles Sammons.
Nirankar Khalsa, an outstanding percussionist and drummer who has played alongside Alice Coltrane among others and will give the project a beat you've never heard before.
It will be a night to remember!


"Not Your Standard Jazz…Fresh Sounds From Beyond"
ten sax, bass clarinet, flute, bari sax, percussion.
Fuasi Abdul-Khaliq -
  • alto sax, bari sax, flute
    Regis Molina -
  • sop sax, percussion
    Ghasem Batamuntu -
  • ten sax, clarinet
    Sabir Mateen -
  • piano
    Joel Holmes -
  • bass
    Charles Sammons -
  • drums
    Mekala Session -
  • darbuka, bongos, tablas, percussion
    Nirankar Khalsa -
  • www.horticulturerecords.com

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    NOW AVAILABLE!
    BOOKby the end of the month
    VINYL, CDlater this spring

    BIENTÔT DISPONIBLE !
    LIVRE - d'ici la fin du mois
    VINYLE, CD - au printemps


    unnamed

    A PAPA/UGMAA Oral History
    of Growing Up In Postwar
    South Central Los Angeles


    by Steven L. Isoardi
    with artists of
    The Pan Afrikan Peoples Arkestra
    and
    The Union of God’s Musicians and Artists Ascension

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    In the post World War II era, dozens of young African Americans in South Central Los Angeles found their way to careers in music. In a community facing challenging social conditions and with little to no outside support, they would become artists, supported by the best that their community and culture had to offer, from neighborhood and family to schools and churches, private teachers, formal and informal spaces and institutions, and more than a few unsung heroes.


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    “The neighborhood was tough, but it’s not like it is today.... I mean I knew that we were not rich people, but I never, ever felt poor.” — pianist Bobby West

    “I was sitting up there tripping off of James Brown, and my cousin came in very angry. ‘You need to stop all that bullshit and get turned on to jazz music, because it’s a way of life.’ That freaked me out, man, and I was freaked for the rest of my life.” — trumpeter Jon Williams

    “Our music is contributive, rather than competitive.” — pianist Horace Tapscott
     

    BOOK

    / LIVRE
    100 pages (in English)
    Front cover illustration and design by
    Paul Rogers

    THE MUSIC FINDS A WAY



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     with the PAN AFRIKAN PEOPLES ARKESTRA 
     and the GREAT VOICE OF UGMAA

    LIVE AT LACMA, 1998 

     HORACE TAPSCOTT 



    HIGH QUALITY VINYL
    12" LP • 180g vinyl • Pressed by PALLAS in Germany
    Flip back cover • 2-page insert

    Liner Notes by Steven L. Isoardi
    Photos by
    Warren Berman

    Side A: Fela, Fela
    Side B:
    Why Don't You Listen?
     
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    unnamed

     with the PAN AFRIKAN PEOPLES ARKESTRA 

    ANCESTRAL ECHOES
    The Covina Sessions, 1976

     HORACE TAPSCOTT 



    CD
    Previously unpublished studio recordings!

    This CD will include a 16-page booklet
    with liner notes by
    Steven L. Isoardi, statements by Fuasi Abdul-Khaliq, James Andrews, Charles Chandler, Kamau Daáood, Kachina Roberts and Jesse Sharps, photos by Mark Weber and courtesy of the Horace Tapscott Archive and some rare documents.

    1-
    Ancestral Echoes
    2-
    Sketches of Drunken Mary
    3-
    Jo Annette
    4-
    Eternal Egypt Suite


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